NMEC - National Museum of Egyptian Civilization

Mamluk Lamps

A group of glass lamps decorated with multi-colored enamel, which were designated for lighting in religious establishments during the Mamluk Period. These lamps are distinguished by its floral decorations and inscriptions in the Naskh script, which depend mostly on the Ayat al-Nur. These lamps were lit by means of a wick of cotton or linen placed inside a glass container containing clean oil, usually olive oil. This group of lamps belongs to the Sultan Hassan School, Al-Nasir Muhammad Ibn Qalawun School, and Al-Zahir Barqua School.

[Mamluk Period - 8th century AH - 14th century AD / Glass]

Dush Treasure

This treasure was found in 1989 inside a pottery vessel that was hidden in the walls of a Roman fort that includes a temple of the gods Serapis, Isis, and Harpocrates in Dush, Kharga Oasis. The treasure includes a golden wreath with the image of the god Serapis at its center, two bracelets, and two gold necklaces made of 187 golden plaques.

[Roman period, AD 2nd century]

Coffin of Nedjemankh

Nedjemankh was a priest of the god "Heryshef" at the city of Ahnas. His coffin is made of gilded cartonnage with inlaid eyes and covered with scenes as well as funerary hymns from the Book of the Dead had made it considered to be one of the masterpieces of coffins from the Ptolemaic Period.

[Repatriated from the Metropolitan Museum of Art in New York / Ptolemaic Period (305 - 30 BC) / Gilded stucco]

آختى

كان رع حور أختى يمثل إتحاداً عقائدياً ما بين الإله رع رب ملكية السماء والإله حورس رب ملكية الأرض كتعبير عن سلطة إله الشمس حين يسيطر على الأفقين ويتجلى على الأرض فيجتمعان فى كيان واحد.

الدولة الحديثة، الأسرة التاسعة عشر (١١٨٦-١٢٩٥ ق.م)/ صان الحجر / جرانوديوريت

Ra-Horakhty

Ra-Horakhty represented a doctrinal union between the heavenly kingship represented by the god Ra and the earthly kingship represented in the god Horus as an expression of

on the earth.The authority of the sun god when he dominated the two horizons and was manifested

[New Kingdom, 19th Dynasty (1295 - 1186 BC) / San al Hagar / Granodiorite]

Cippus of Horus

The oldest of cippi (sing. Cippus) of Horus is dated back to the Late Period, and became popular during the Ptolemaic Period, where Horus the son of Isis is depicted on as a naked child with a side lock, standing on two crocodiles and holding a group of snakes, scorpions, deer and lions, which represent symbols of evil. These cippi were placed in temples and homes and registered on them the spells of Isis that repel evil and prevent the bites of scorpions and snakes. Usually, priests poured water that flowed over it while reciting Isis spells, then gathered in a small basin at the feet of Horus, and drank after that in order to ward off evil.

[Ptolemaic Period / Alexandria / Green Schist]

The vizier Paser

Paser lived during the reign of Seti I, where he held the title of the sole companion of the king and held many positions as the royal palace advisor, the governor of the city "Thebes", and who receives the tribute of the foreign lands for the king. Then, during the reign of Ramses Il, he became a judge, a seal bearer and deputy of the king in Nubia where he supervised the construction works of the temple of Abu Simbel. He also assumed the position of high priest and overseer of the Karnak temple until his death in the 25th year of the reign of Ramses I. Paser appears in this statue carrying an altar topped by the head of a ram, the symbol of Amun Ra Lord of Karnak 

[New Kingdom - 19* Dynasty - reign of Ramesses I (1279-1213 BC) / Karak / Black Granite]

Purification with water

Upon his arrival from the other world, the sun god purifies himself in eastern horizon before his shining in Heaven, where the four-gods "Horus", the Lord of the North, "Seth", the Lord of the South, "Dewen-anwy", the Lord of the East, and "Thoth", the Lord of the West, pour the water of life and power over him from the four corners of the universe. This rare statue depicts king Amenhotep Il, assimilated with the sun god in his shining in the moment of his purification on the horizon.

[New Kingdom, 18th Dynasty (1550 - 1295 BC) / Valley of the Kings - Thebes / Alabaster]

The Coffin of Lady Isis

This coffin was discovered in the tomb of Sennedjem among several coffins of the family members. It belongs to Lady Isis, wife of the artisan Khabekhent, son of the Sennedjem. The outer cover depicts Isis in a loose robe carrying the sacred ivy leaves, and the coffin is surrounded by the four sons of Horus to protect her body.

[New Kingdom, 19th Dynasty (1295 - 1186 BC) / Deir el-Madina, Thebes / Wood - Pigment]

Sarcophagus of Kha'y

Kha'y was one of the most important statesmen during the New Kingdom. His anthropoid sarcophagus registered his positions as he was a fan bearer to the right of the king and the chief overseer of the southern foreign countries.

[New kingdom. 19th Dynasty / Black Granite]

The coffin of Sennedjem

The inner coffin of Sennedjem is made in anthropoid form, where his mummy was placed inside. The inner cover depicts Sennedjem in in his worldly clothes as he wears a long kilt of white linen. The coffin is decorated with funerary scenes of the protective goddesses from the Book of the Dead, while Sennedjem receiving provisions from the Tree Goddess.

[New Kingdom, 19th Dynasty (1295 - 1186 BC) / Deir el-Madina, Thebes / Wood - Pigment]

The Protective Goddesses

A group of statues of the protective goddesses that were found in the tomb of King Amenhotep II, they were responsible for protecting the body of the king in his afterlife journey, they are "Wadjet", depicted as a cobra, "Nekhbet" the vulture, "Meretseger" in the form of the winged Cobra, and the cows "Mehet-Weret" and "Hathor" goddesses of heaven. These goddesses are known to be among the oldest who were worshiped in ancient Egypt.

[New Kingdom - 18th Dynasty (1550 - 1295 BC) / Valley of the Kings - Thebes / Wood]

Dated visited 7th March 2025

 

Balloon Museum Art Installation

At the old Billingsgate building there is a Balloon Museum although it’s actually a series of Balloon art installations. Or inflatable art installations if you want to be precise. But don’t let that distract you from the impressive nature of these pieces that range from small to huge as you walk through flashing moving globe and then witness huge inflatable rabbits. From their website - 

“Balloon Museum is a format created by a curatorial team that designs and realizes contemporary art exhibitions with specific works in which ‘air’ is a distinctive element. A journey through out-of-scale installations with unexpected shapes in which the interaction with viewers is placed at the center of the experience. Art one can touch, to live with and share, never static that creates an innovative relationship with the user, giving life to an experiential path of socialization. This unconventional approach to culture is fascinating and intriguing to adults and children, as they are passionate and curious, and are helping to establish Inflatable Art as one of the most acclaimed ‘Pop’ movements in the world.”

Phillip Guston at The Tate Modern

On Monday I was lucky to visit the Guston exhibition at the Tate Modern. Previously I’d not heard of Guston but really enjoyed this selection of his work. Tate Link. 

I also saw two quotes I enjoyed - 

“When you start working, everybody is in your studio - the past, your friends, enemies, the art world, and above all, your own ideas… But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you’re lucky, even you leave” (John Cage)

“The canvas is a court where the artist is prosecutor, defendant, jury, and judge… You cannot settle out of court” (Phillip Guston)

From the Tate Modern website - For over 50 years, artist Philip Guston restlessly made paintings and drawings that captured the anxious and turbulent world he was witnessing.

Born in Canada to a Jewish immigrant family, he grew up in the US and eventually became one of the most celebrated abstract painters of the 1950s and 1960s, alongside Mark Rothko and his childhood friend Jackson Pollock.

His early work included murals and paintings addressing racism in America and wars abroad. During the social and political upheavals of the late 1960s, Guston grew critical of abstraction, and began producing large-scale paintings that feature comic-like figures, some in white hoods representing evil and the everyday perpetrators of racism. These paintings and those that followed established Guston as one of the most influential painters of the late 20th century.

Guston was a complex artist who took inspiration from the nightmarish world around him to create new and surprising imagery. This exhibition explores how his paintings bridged the personal and the political, the abstract and the figurative, the humorous and the tragic.

Philip Guston is the first major retrospective on the artist in the UK in nearly 20 years.

The exhibition is co-organised by Tate Modern, the Museum of Fine Arts, Boston, the National Gallery of Art, Washington, and the Museum of Fine Arts, Houston

Visit - 29th January 2024. Thanks to BW for arranging x 

Delight Art Exhibition at Borough Yards

The Delight exhibition is marketed as a fresh and creative interpretation of urban city life - the marketing minimises the Korean aspect which is a shame and it was only when I was inside that the use of Seoul was evident. There are twelve immersive zones - immersive in as much as you walk around and in the art and people were enjoying themselves taking selfies. 

(Above and below) 631 - Spanning 631 years from the Joseon Dynasty to Seoul in 2023 there are 631 individual lights that transition colour as you walk through. 

(Below) Shinro (God’s Road) - a counterpoint to modern living and materialism. A meditative path toward divine communion. 

(Below) Mind : Myth - using inspiration from myth using the twelve zodiac animals. 

(Below) Collage : Gwanghwa- the heartbeat of Seoul through vivid images. 

(Below) Resonance - the vertical flow channels serenity inspired by a bamboo forest. 

(Below) Urban Pulse - an urban narrative and the rhythm of modern commerce. 

(Below) Neon Nostalgia - the vibrant neon signs of the urban landscape. 

(Below) The Moon - homage and regression. Reflected in a pool the tidal ballet is represented. 

(Below) Goblins - the belief that guardian spirits walk among us. 

(Below) Soseuldaemun - The Gate. A symbol of immense authority reimagined as an understated aesthetic. 

Sabrina Moss Memorial Stone

If you’ve skimmed over this blog you’ll have noticed that I like gravestones and memorials. Too much in life is fleeting and only the famous and infamous seem to have their memory preserved. So whilst walking down Kilburn High Road my eyes darted to a paving slab that stood out from the rest. In front of the Woody Grill near the Willesden Lane junction I saw this memorial to Sabrina Moss. 

Sabrina was tragically killed whilst out celebrating her 24th birthday. She was caught in a gang turf war and shot in the heart by two hooded men armed with a shotgun and sub machine gun. Sabrina’s friend Sabrina Gachette was badly injured. The incident left a four year old without a mother. Miss Moss was a school teacher. Three men were jailed for 37 years. 

Let it be forever 

remembered that

Sabrina Moss

walked with beauty

and will always be our

treasured memory. 

Battersea Power Station & Lift 109

Battersea Power Station is a grade 2 listed decommissioned coal fired power station on the south bank of the River Thames. The first part of the station was built in 1930s with the second in the 1950s. It was decommissioned between 1975 and 1983. 

Plans for the building included an idea as a theme park and even as a new stadium for Chelsea F.C. The site now has 254 apartments and a shopping centre. 

Lift 109 is situated in the north-west chimney and visitors ascend to the top of the 109 metre structure to get 360° views of the area.